New Books

And new friends

I spent a lovely two weeks at the Sewanee Writers’ Conference, where we talked reading and writing all day and all night, and I made some wonderful new writer friends. I came home with a stack of signed books, and I’m eager to read them all. (I wanted to buy many, many more but only had so much room in my bag!) I’ve listed the books I picked up below, along with a synopsis of each.

I loved my workshop leaders, Leah Newman and Kirstin Valdez Quade, but I also wanted to shout-out the people in my workshop, as I learned much from all of them, too; some of them don’t yet have books in the world, but they will, so it’s good to know their names: Stephanie Cotsirilos, Travis Eisenbise, Kristina Gorcheva-Newberry, Ella Martinsen Gorham, Kanak Kapur, Patricia Grace King, Melissa Ann Peterson, Sophie Stein, Juan Fernando Villagomez, Isabella Welch, and Diane Zinna. Thank you, all!

Our Sister Who Will Not Die, Rebecca Bernard

A man recently released from prison returns to the dating scene and struggles to find the right time to reveal his long-past murder conviction. A grieving mother considers her own role in her son’s death. A boy enables the destructive addiction of the person he’s in love with. A dog, witness to his owner’s violent acts, begins to sweat. Each story in Rebecca Bernard’s Our Sister Who Will Not Die brings the reader face to face with the frailties of human character—and demonstrates how the yearning for love and connection allows beauty and resilience to emerge from darkness. In questioning traditional formulations of good and evil, Bernard’s stories ask us to recognize our own culpabilities and acknowledge our shared humanity. None of us is the worst thing we’ve ever done, these stories compel us to believe. Hope is always worth letting in.

The Orchard, Kristina Gorcheva-Newberry

Coming of age in the USSR in the 1980s, best friends Anya and Milka try to envision a free and joyful future for themselves. They spend their summers at Anya’s dacha just outside of Moscow, lazing in the apple orchard, listening to Queen songs, and fantasizing about trips abroad and the lives of American teenagers. Meanwhile, Anya’s parents talk about World War II, the Blockade, and the hardships they have endured.

By the time Anya and Milka are fifteen, the Soviet Empire is on the verge of collapse. They pair up with classmates Trifonov and Lopatin, and the four friends share secrets and desires, argue about history and politics, and discuss forbidden books. But the world is changing, and the fleeting time they have together is cut short by a sudden tragedy.

Years later, Anya returns to Russia from America, where she has chosen a different kind of life, far from her family and childhood friends. When she meets Lopatin again, he is a smug businessman who wants to buy her parents’ dacha and cut down the apple orchard. Haunted by the ghosts of her youth, Anya comes to the stark realization that memory does not fade or disappear; rather, it moves us across time, connecting our past to our future, joys to sorrows.

Inspired by Anton Chekhov’s The Cherry Orchard, Kristina Gorcheva-Newberry’s The Orchard powerfully captures the lives of four Soviet teenagers who are about to lose their country and one another, and who struggle to survive, to save their friendship, to recover all that has been lost.

The Prince of Mournful Thoughts, Caroline Kim

Exploring what it means to be human through the Korean diaspora, Caroline Kim’s stories feature many voices. From a teenage girl in 1980’s America, to a boy growing up in the middle of the Korean War, to an immigrant father struggling to be closer to his adult daughter, or to a suburban housewife whose equilibrium depends upon a therapy robot, each character must face their less-than-ideal circumstances and find a way to overcome them without losing themselves. Language often acts as a barrier as characters try, fail, and momentarily succeed in connecting with each other. With humor, insight, and curiosity, Kim’s wide-ranging stories explore themes of culture, communication, travel, and family. Ultimately, what unites these characters across time and distance is their longing for human connection and a search for the place—or people—that will feel like home.

You Are Here, Karin Lin-Greenberg

As a once-bustling mall prepares to shut its doors for the final time, the residents of an upstate New York town must reckon with a shocking act that forces them to reevaluate who they are in this “remarkable study of ordinary people’s extraordinary inner lives” (Publishers Weekly, starred review)

The inhabitants of a small town have long found that their lives intersect at one focal point: the local shopping mall. But business is down, stores are closing, and as the institution breathes its last gasp, the people inside it dream of something different, something more. In its pages, You Are Here brings this diverse group of characters vividly to life—flawed, real, lovable strangers who are wonderful company and prove unforgettable even after the last store has closed.

The only hair stylist at Sunshine Clips secretly watches YouTube primers on how to draw and paint, just as her awkward young son covertly studies new illusions for his magic act. His friend and magician’s assistant, a high school cashier in the food court, has attracted the unwanted attention of a strange boy at school. She tells no one except the mall’s chain bookstore manager, a failed academic living in the tiny house he built in his mother-in-law’s backyard. His family is watched over by the judgmental old woman next door, whose weekly trips to Sunshine Clips hide a complicated and emotional history and will spark the moment when everything changes for them all.

Exploring how the stories we tell ourselves about ourselves are inextricably bound to the places we call home, You Are Here is a keenly perceptive and deeply humane portrait of a community in transition, ultimately illuminating the magical connections that can bloom from the ordinary wonder of our everyday lives.

I Know You Love Me, Too, Amy Neswald

Eight years apart, half-sisters Ingrid and Kate suffer the loss of their shared father when Ingrid is twenty and Kate only twelve. As they negotiate their uncertain sisterhood, Ingrid struggles with her artistic identity and love life while the hairline cracks expand in Kate’s seemingly perfect life. Told from multiple perspectives, I Know You Love Me, Too follows Ingrid and Kate as they investigate the mysteries left by their father and the riddles posed by their own lives. As Ingrid muses in “Friday Harbor,” the relationship between half-sisters should be half as complicated… but it’s not.

Nobody Gets Out Alive, Leigh Newman

From a prizewinning author comes an “electric...stunning” (Publishers Weekly, starred review) debut story collection about women navigating the wilds of male-dominated Alaskan society.

Set in Newman’s home state of Alaska, Nobody Gets Out Alive is an exhilarating collection about women struggling to survive not just grizzly bears and charging moose, but the raw legacy of their marriages and families.

Alongside stories set in today’s Last Frontier—rife with suburban sprawl, global warming, and opioid addiction—Newman delves into remote wilderness of the 1970s and 80s, bringing to life young girls and single moms in search of a wilder, freer, more adventurous America. The final story takes place in a railroad camp in 1915, where an outspoken heiress stages an elaborate theatrical production in order to seduce the wife of her husband’s employer.

“Rich with wit and wisdom, showing us that love, marriage, and family are always a bigger and more perilous adventures than backcountry trips” (Kirkus Reviews, starred review), these keenly observed stories prove there are some questions—about love, heartbreak, and the meaning of home—that can’t be outrun, no matter how hard we try. Nobody Gets Out Alive is a dazzling foil to the adventure narratives of old.

The Five Wounds, Kirstin Valdez Quade

It’s Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.

Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.

The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

The Boundaries of Their Dwelling, Blake Sanz

Moving between the American South and Mexico, these stories explore how immigrant and native characters are shaped by absent family and geography. A Chilanga teen wins a trip to Miami to film a reality show about family while pining for the American brother she's never met. A Louisiana carpenter tends to his drug-addicted son while rebuilding his house after a slew of hurricanes. A New Orleans ne'er-do-well opens a Catholic-themed bar in the wake of his devout mother’s death. A village girl from Chiapas baptizes her infant on a trek toward the U.S. border.

In the collection’s second half, we follow a Veracruzan-born drifter, Manuel, and his estranged American son, Tommy. Over decades, they negotiate separate nations and personal tragicomedies on their journeys from innocence to experience. As Manuel participates in student protests in Mexico City in 1968, he drops out to pursue his art. In the 1970s, he immigrates to Louisiana, but soon leaves his wife and infant son behind after his art shop fails. Meanwhile, Tommy grows up in 1980s Louisiana, sometimes escaping his mother’s watchful eye to play basketball at a park filled with the threat of violence. In college, he seeks acceptance from teammates by writing their term papers. Years later, as Manuel nears death and Tommy reaches middle age, they reconnect, embarking on a mission to jointly interview a former riot policeman about his military days; in the process, father and son discover what it has meant to carry each other’s stories and memories from afar.

At turns funny and wise, in voices both lyrical and accessible, these stories investigate what it means to define oneself by blood in regions where, despite stark borders that constrict possibility and mold desire, the boundaries of identity remain mysterious and illuminating.

Walk the Vanished Earth, Erin Swan

In the tradition of Station Eleven, Severance and The Dog Stars, a beautifully written and emotionally stirring dystopian novel about how our dreams of the future may shift as our environment changes rapidly, even as the earth continues to spin.

The year is 1873, and a bison hunter named Samson travels the Kansas plains, full of hope for his new country. The year is 1975, and an adolescent girl named Bea walks those very same plains; pregnant, mute, and raised in extreme seclusion, she lands in an institution, where a well-meaning psychiatrist struggles to decipher the pictures she draws of her past. The year is 2027 and, after a series of devastating storms, a tenacious engineer named Paul has left behind his banal suburban existence to build a floating city above the drowned streets that were once New Orleans. There with his poet daughter he rules over a society of dreamers and vagabonds who salvage vintage dresses, ferment rotgut wine out of fruit, paint murals on the ceiling of the Superdome, and try to write the story of their existence. The year is 2073, and Moon has heard only stories of the blue planet—Earth, as they once called it, now succumbed entirely to water. Now that Moon has come of age, she could become a mother if she wanted to–if only she understood what a mother is. Alone on Mars with her two alien uncles, she must decide whether to continue her family line and repopulate humanity on a new planet.

A sweeping family epic, told over seven generations, as America changes and so does its dream, Walk the Vanished Earth explores ancestry, legacy, motherhood, the trauma we inherit, and the power of connection in the face of our planet’s imminent collapse.
This is a story about the end of the world—but it is also about the beginning of something entirely new. Thoughtful, warm, and wildly prescient, this work of bright imagination promises that, no matter what the future looks like, there is always room for hope.

Body of Stars, Laura Maylene Walter

In a world where female bodies hold the map to the future, one young woman must fight to change her family’s fate.
 
Celeste Morton has eagerly awaited her passage to adulthood. Like every girl, she was born with a set of childhood markings—the freckles, moles, and birthmarks on her body that foretell her future and that of those around her—and with puberty will come a new set of predictions that will solidify her fate. The possibilities are tantalizing enough to outweigh her worry that the future she dreams of won’t be the one she’s fated to experience.

Celeste’s beloved brother, Miles, who is training to be a fortune-teller, is equally anticipating what Celeste’s transformation will reveal. But when Celeste matures into her adult markings, she discovers a devastating omen about Miles’s future. Desperate to protect her family from the truth, Celeste’s once charmed life unravels, forcing her to question everything she’s ever known about fate and female agency, and face the perils of knowing what’s to come too soon.

See you in two weeks!